The final work entitled "For the love of God" consists of 2640 painted rectangles, the artist calls them "needles", and in her performance she summarizes approaches from various artistic practices. The basis of the work is a raster performed in a regular, geometrically and mathematically calculated layout. Following the exact raster and the background, the author fills in the background and freely paints the obtained rectangles with "needles". The aim of the paper is to show the human striving for perfection, although the nature of our humanity "stops" us in that. Through self-discipline, the author determines the daily performance of the rectangle, regardless of the circumstances. In doing so, he waives the right to use aids when painting rectangles - such as rulers, erasers, stencils, stamps and duct tape. In the process of painting, the author goes through an initial phase during which she shows how she wants to be a machine, and strives for perfectionism. With every mistake made and noticed, the author notices that it is necessary to make mistakes of human nature, and during the further process she increasingly accepts her ̈unperfect ̈ humanity.