prikaz prve stranice dokumenta Trema i strah od javnog nastupa
Access restricted to students and staff of home institution
master's thesis
Trema i strah od javnog nastupa
2022. urn:nbn:hr:175:136049
Ruk, Matija
University of Split
Arts Academy
Music
Department of String Instruments and Guitar

Cite this document

Ruk, M. (2022). Trema i strah od javnog nastupa (Master's thesis). Split: University of Split, Arts Academy. Retrieved from https://urn.nsk.hr/urn:nbn:hr:175:136049

Ruk, Matija. "Trema i strah od javnog nastupa." Master's thesis, University of Split, Arts Academy, 2022. https://urn.nsk.hr/urn:nbn:hr:175:136049

Ruk, Matija. "Trema i strah od javnog nastupa." Master's thesis, University of Split, Arts Academy, 2022. https://urn.nsk.hr/urn:nbn:hr:175:136049

Ruk, M. (2022). 'Trema i strah od javnog nastupa', Master's thesis, University of Split, Arts Academy, accessed 10 May 2024, https://urn.nsk.hr/urn:nbn:hr:175:136049

Ruk M. Trema i strah od javnog nastupa [Master's thesis]. Split: University of Split, Arts Academy; 2022 [cited 2024 May 10] Available at: https://urn.nsk.hr/urn:nbn:hr:175:136049

M. Ruk, "Trema i strah od javnog nastupa", Master's thesis, University of Split, Arts Academy, Split, 2022. Available at: https://urn.nsk.hr/urn:nbn:hr:175:136049

Please login to the repository to save this object to your list.
Metadata
TitleTrema i strah od javnog nastupa
Title (english)Stage-fright and fear of public performance
AuthorMatija Ruk
MentorMaroje Brčić (mentor)
Committee memberMaroje Brčić (predsjednik povjerenstva)
Committee memberEvgenia Epshtein (član povjerenstva)
Committee memberWladimir Kossjanenko (član povjerenstva)
GranterUniversity of Split
Arts Academy
(Music)
(Department of String Instruments and Guitar)
Split
Defense date and country2022-09-13, Croatia
Scientific / art field,
discipline and subdiscipline		FIELD OF ART
Art of Music
Reproductive Music (Conducting, Singing, Playing an Instrument)
Abstract
Ovaj diplomski rad pruža uvid u teoriju emocionalnih stanja treme i straha od javnog nastupa. Nerijetko se događa kako glazbenici uoči javnog glazbenog nastupa osjećaju lupanje srca, znojenje, drhtavicu i brojne druge simptome koji po simptomatologiji odgovaraju strahu. Zašto je to tako i postoje li metode i tehnike suočavanja s istim odgovor će se dati u ovom diplomskom radu. Točnije, na početku pružit će se teorijski uvid u tremu i strah uoči javnog glazbenog nastupa, a u drugom dijelu prikazat će se i objasniti jedne od najučinkovitijih tehnika i strategija nošenja sa stresom s ciljem njegove optimalizacije za realizaciju što uspješnijeg glazbenog javnog nastupa.
Abstract (english)
This diploma thesis deals with the theoretical presentation of emotional states of stage fright and fear of public speaking. It often happens that musicians before a public musical performance feel palpitations, sweating, tremors and numerous other symptoms corresponding to fear. Why this is so and whether there are methods and techniques for dealing with the same fear will be answered in this thesis. More precisely, at the beginning, a theoretical insight into stage fright and fear before a public musical performance will be provided, and in the second part, one of the most effective techniques and strategies for dealing with stress will be presented and explained, with the aim of optimizing it for the realization of a successful musical performance.
Keywords
Keywords (english)
Languagecroatian
URN:NBNurn:nbn:hr:175:136049
Study programmeTitle: Music Department - Instrumental (Guitar)
Study programme type: university
Study level: graduate
Academic / professional title: magistar/magistra muzike (magistar/magistra muzike)
Type of resourceText
File originBorn digital
Access conditionsAccess restricted to students and staff of home institution
Terms of useLicence In copyright icon
Created on2023-05-12 10:06:47