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undergraduate thesis
Osobitosti portretnog slikarstva Vlaha Bukovca
2023. urn:nbn:hr:175:276881
Radulj, Đina
University of Split
Arts Academy
Fine Arts
Department of Visual Culture and Fine Arts

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Radulj, Đ. (2023). Osobitosti portretnog slikarstva Vlaha Bukovca (Undergraduate thesis). Split: University of Split, Arts Academy. Retrieved from https://urn.nsk.hr/urn:nbn:hr:175:276881

Radulj, Đina. "Osobitosti portretnog slikarstva Vlaha Bukovca." Undergraduate thesis, University of Split, Arts Academy, 2023. https://urn.nsk.hr/urn:nbn:hr:175:276881

Radulj, Đina. "Osobitosti portretnog slikarstva Vlaha Bukovca." Undergraduate thesis, University of Split, Arts Academy, 2023. https://urn.nsk.hr/urn:nbn:hr:175:276881

Radulj, Đ. (2023). 'Osobitosti portretnog slikarstva Vlaha Bukovca', Undergraduate thesis, University of Split, Arts Academy, accessed 05 April 2025, https://urn.nsk.hr/urn:nbn:hr:175:276881

Radulj Đ. Osobitosti portretnog slikarstva Vlaha Bukovca [Undergraduate thesis]. Split: University of Split, Arts Academy; 2023 [cited 2025 April 05] Available at: https://urn.nsk.hr/urn:nbn:hr:175:276881

Đ. Radulj, "Osobitosti portretnog slikarstva Vlaha Bukovca", Undergraduate thesis, University of Split, Arts Academy, Split, 2023. Available at: https://urn.nsk.hr/urn:nbn:hr:175:276881

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Metadata
TitleOsobitosti portretnog slikarstva Vlaha Bukovca
Title (english)Distinguishing features of Vlaho Bukovac portrait paintings
AuthorĐina Radulj
MentorDunja Pivac (mentor)
Committee memberDunja Pivac (predsjednik povjerenstva)
Committee memberIta Praničević-Borovac (član povjerenstva)
Committee memberLana Stojićević (član povjerenstva)
GranterUniversity of Split
Arts Academy
(Fine Arts)
(Department of Visual Culture and Fine Arts)
Split
Defense date and country2023-09-20, Croatia
Scientific / art field,
discipline and subdiscipline		FIELD OF ART
Fine Arts
Abstract
Ovaj završni rad bavi se isključivo portretima Vlaha Bukovca. Osnovna ideja moga rada je što i nagovještava sam naslov, analizirati i istražiti utjecaje na Bukovčeve portrete. U uvodnom dijelu najviše se spominje kontekst vremena u kojem slikar djeluje. Razdoblje devetnaestoga stoljeća pogodno je inovativnim promjenama. Problematizira se odnos između novonastalog buržoazijskoga društva i proletarijata. U središnjem dijelu rada analizirana su djela pionira stilova koji su obuhvaćali period druge... More polovice devetnaestoga stoljeća. Prevladavajući stilovi su realizam, impresionizam, postimpresionizam te simbolizam i secesija. Možemo pratiti životni put koji je oblikovao slikara već u ranoj dobi i odlike vodećih stilova u njegovim portretima. Poznajemo Bukovca kao velikog tradicionalista koji se školovao kod svog učitelja Cabanella na Akademiji Beaux des Ecole. Ipak on se udaljio od klasične palete atelijerskih prigušenih boja. Rasvijetljava svoju paletu boja koja se može vidjeti na njegovim portretima. Eksperimentira nanošenjem boje na platno, bržim potezima i usvaja tehnike postimpresionista. Važno za naglasiti je da i dalje akademski realizam egzistira u njegovim djelima jer je prisutan u precizno postavljenom crtežu. Dovodi modernizam u Hrvatsku kao član Društva hrvatskih umjetnika, izlaže na ključnom hrvatskom Salonu. Vodeća je osoba koja je u hrvatskom slikarstvu pridonijela inovacije i težnju prema odmaku od klasičnoga tradicionalizma. Less
Abstract (english)
This final thesis focuses exclusively on the portraits of Vlaho Bukovac. The main idea of my work, as suggested by the title itself, is to analyze and explore the influences on Bukovac's portraits. The introductory part primarily discusses the contextual framework of the time in which the painter operated. The 19th century was a period conducive to innovative changes, and it problematizes the relationship between the emerging bourgeois society and the proletariat. The central part of the work... More analyzes the works of the pioneers of styles that encompassed the second half of the 19th century. The prevailing styles were realism, impressionism, post-impressionism, symbolism, and secession. We can trace the life path that shaped the painter from an early age and the characteristics of the leading styles in his portraits. We know Bukovac as a great traditionalist who was trained by his teacher Cabanel at the Beaux des Ecole Academy. However, he distanced himself from the classical palette of muted colors typically found in studio paintings. He illuminates his color palette, which can be seen in his portraits. He experiments with applying paint to the canvas, using quicker brushstrokes, and adopts techniques of the post-impressionists. It is important to emphasize that academic realism still exists in his works, as it is present in precisely executed drawings. He brings modernism to Croatia as a member of the Society of Croatian Artists and exhibits at the key Croatian Salon. He is a leading figure who has contributed innovations and a desire to move away from classical traditionalism in Croatian painting. Less
Keywords
Keywords (english)
Languagecroatian
URN:NBNurn:nbn:hr:175:276881
Study programmeTitle: Visual Culture and Visual Arts
Study programme type: university
Study level: undergraduate
Academic / professional title: sveučilišni/a prvostupnik/prvostupnica (baccalaureus/baccalaurea) likovne kulture i likovne umjetnosti (sveučilišni/a prvostupnik/prvostupnica (baccalaureus/baccalaurea) likovne kulture i likovne umjetnosti)
Type of resourceText
File originBorn digital
Access conditionsAccess restricted to students and staff of home institution
Terms of useLicence In copyright icon
Created on2024-02-05 11:31:32
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