prikaz prve stranice dokumenta Konzervatorsko-restauratorski zahvat na uljenoj slici na platnu 'Gospa od sedam žalosti' s pripadajućim ukrasnim okvirom
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master's thesis
Konzervatorsko-restauratorski zahvat na uljenoj slici na platnu 'Gospa od sedam žalosti' s pripadajućim ukrasnim okvirom
2020. urn:nbn:hr:175:798844
Curić, Mateo
University of Split
Arts Academy
Fine Arts
Department of Conservation - Restoration

Cite this document

Curić, M. (2020). Konzervatorsko-restauratorski zahvat na uljenoj slici na platnu 'Gospa od sedam žalosti' s pripadajućim ukrasnim okvirom (Master's thesis). Split: University of Split, Arts Academy. Retrieved from https://urn.nsk.hr/urn:nbn:hr:175:798844

Curić, Mateo. "Konzervatorsko-restauratorski zahvat na uljenoj slici na platnu 'Gospa od sedam žalosti' s pripadajućim ukrasnim okvirom." Master's thesis, University of Split, Arts Academy, 2020. https://urn.nsk.hr/urn:nbn:hr:175:798844

Curić, Mateo. "Konzervatorsko-restauratorski zahvat na uljenoj slici na platnu 'Gospa od sedam žalosti' s pripadajućim ukrasnim okvirom." Master's thesis, University of Split, Arts Academy, 2020. https://urn.nsk.hr/urn:nbn:hr:175:798844

Curić, M. (2020). 'Konzervatorsko-restauratorski zahvat na uljenoj slici na platnu 'Gospa od sedam žalosti' s pripadajućim ukrasnim okvirom', Master's thesis, University of Split, Arts Academy, accessed 17 November 2024, https://urn.nsk.hr/urn:nbn:hr:175:798844

Curić M. Konzervatorsko-restauratorski zahvat na uljenoj slici na platnu 'Gospa od sedam žalosti' s pripadajućim ukrasnim okvirom [Master's thesis]. Split: University of Split, Arts Academy; 2020 [cited 2024 November 17] Available at: https://urn.nsk.hr/urn:nbn:hr:175:798844

M. Curić, "Konzervatorsko-restauratorski zahvat na uljenoj slici na platnu 'Gospa od sedam žalosti' s pripadajućim ukrasnim okvirom", Master's thesis, University of Split, Arts Academy, Split, 2020. Available at: https://urn.nsk.hr/urn:nbn:hr:175:798844

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Metadata
TitleKonzervatorsko-restauratorski zahvat na uljenoj slici na platnu 'Gospa od sedam žalosti' s pripadajućim ukrasnim okvirom
Title (english)Restoration of oil painting on canvas 'Our Lady of the Seven Sorrows' with decorative frame
AuthorMateo Curić
MentorLana Kekez (mentor)
Committee memberLana Kekez (predsjednik povjerenstva)
Committee memberIvica Ljubenkov (član povjerenstva)
Committee memberJurica Matijević (član povjerenstva)
GranterUniversity of Split
Arts Academy
(Fine Arts)
(Department of Conservation - Restoration)
Split
Defense date and country2020-09-25, Croatia
Scientific / art field,
discipline and subdiscipline		FIELD OF ART
Fine Arts
Conservation and Restoration
Abstract
Uljena slika na platnu ‘’Gospa od sedam žalosti’’s pripadajućim ukrasnim okvirom dio je inventara župe Sv. Nikole u Komiži. Slika je u prethodnoj intervenciji lakirana, a lak je izrazito potamnio što je umanjilo čitljivost prikaza. U prošlom zahvatu je podstavljena novim platnom i zalijepljena za podokvir. Konzervatorsko – restauratorski zahvat primarno je bio usmjeren na odvajanje slike od podstavljenog platna, te primjereno podstavljanje korištenjem firentinske paste, što je omogućilo napinjanje na novi podokvir. Uklanjanjem površinske nečistoće i potamnjelog laka omogućena je vidljivost prikaza, te rekonstrukcija oštećenja. Pozlaćeni i polikromirani rezbareni drveni ukrasni okvir zatečen je u prilično stabilnom stanju. Kao i slika, bio je preslikan slojem potamnjelog laka, te purpurine koja je oksidirala. Zatečena su manja mehanička oštećenja i gubitci. Konzervatorsko-restauratorski zahvat na ukrasnom okviru obuhvatio je stabilizaciju slikanog sloja i drvenog nositelja, uklanjanje prethodnih intervencija, te rekonstrukciju nosioca, preparacije, polikromije i pozlate.
Abstract (english)
The framed oil painting on canvas''Our Lady of Sorrows'' is in the possession of the church of St. Nicholas in the town of Komiža on the island of Vis. A varnish layer was applied to the face of the painting during previous intervention. The varnish layer has dramatically darkened which has dimished the visibility of the original paint layer. Painting was also lined during the previos intervention and glued to the wooden strainer. The conservation treatment has been primarily focused on separating the painting from the lining. The painting was relined applying the Florentine paste method, and fixed to a new stretcher. Removal of the surface dirt and darkened varnish made the paint layer visible again and enabled the reconstructions of the paint layer damages and losses. The found condition of the craved gilded and polychromed decorative frame was relatively stable. It was overpainted with the artificial golden colour that oxidised with time and varnished the same way as the painting. Minor damages and losses were found. The conservation treatment consisted of the stabilization of the wooden support, paint layer and gilding, the removal of the previous interventions and the reconstruction of the wooden support, polychromy and gilding.
Keywords
Keywords (english)
Languagecroatian
URN:NBNurn:nbn:hr:175:798844
Study programmeTitle: Conservation and Restoration
Study programme type: university
Study level: integrated undergraduate and graduate
Academic / professional title: magistar/magistra konzervacije i restauracije (magistar/magistra konzervacije i restauracije)
Type of resourceText
File originBorn digital
Access conditionsAccess restricted to students and staff of home institution
Terms of useLicence In copyright icon
Created on2021-05-05 10:48:20