prikaz prve stranice dokumenta Hommage Jurju Dalmatincu
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master's thesis
Hommage Jurju Dalmatincu
2023. urn:nbn:hr:175:103999
Rimac, Ružica
University of Split
Arts Academy
Fine Arts
Department of Sculpture

Cite this document

Rimac, R. (2023). Hommage Jurju Dalmatincu (Master's thesis). Split: University of Split, Arts Academy. Retrieved from https://urn.nsk.hr/urn:nbn:hr:175:103999

Rimac, Ružica. "Hommage Jurju Dalmatincu." Master's thesis, University of Split, Arts Academy, 2023. https://urn.nsk.hr/urn:nbn:hr:175:103999

Rimac, Ružica. "Hommage Jurju Dalmatincu." Master's thesis, University of Split, Arts Academy, 2023. https://urn.nsk.hr/urn:nbn:hr:175:103999

Rimac, R. (2023). 'Hommage Jurju Dalmatincu', Master's thesis, University of Split, Arts Academy, accessed 22 November 2024, https://urn.nsk.hr/urn:nbn:hr:175:103999

Rimac R. Hommage Jurju Dalmatincu [Master's thesis]. Split: University of Split, Arts Academy; 2023 [cited 2024 November 22] Available at: https://urn.nsk.hr/urn:nbn:hr:175:103999

R. Rimac, "Hommage Jurju Dalmatincu", Master's thesis, University of Split, Arts Academy, Split, 2023. Available at: https://urn.nsk.hr/urn:nbn:hr:175:103999

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Metadata
TitleHommage Jurju Dalmatincu
Title (english)Hommage to Juraj Dalmatinac
AuthorRužica Rimac
MentorNikola Džaja (mentor)
MentorDalibor Lovrić (komentor)
Committee memberGoran Balić (predsjednik povjerenstva)
Committee memberDalibor Lovrić (član povjerenstva)
Committee memberNikola Džaja (član povjerenstva)
GranterUniversity of Split
Arts Academy
(Fine Arts)
(Department of Sculpture)
Split
Defense date and country2023-02-17, Croatia
Scientific / art field,
discipline and subdiscipline		FIELD OF ART
Fine Arts
Sculpture
Abstract
Ovaj diplomski rad razmatra vidove kiparskog rada dvaju autora. Referira se na domaću tradiciju, konkretno na portretnu skulpturu Jurja Dalmatinca s friza Šibenske katedrale i na Giacomettia koji je tu akademsku tradiciju u skulpturi mijenjao „ispisivajući stranice“ modernog i suvremenog kiparstva. Referirajući na prethodno iskustvo navedenih autora nastaje ovaj rad koji misaono i vizualno spaja ta dva „etosa kreativnosti“ i nadahnuća, bez pomisli da je rad rezultat križanja epohalnih nadahnuća i senzibiliteta vremena autora na koje je referiran. Koncentraciji je na portretnoj cjelini koja spreže oba iskustva gledanja između ekstremne prošlosti i današnjeg shvaćanja skulpture kao proširenog područja.
Abstract (english)
This master’s thesis examines aspects of the sculptural work of two authors. It refers to local tradition, specifically to the portrait sculpture of Juraj Dalmatinac from the frieze of Šibenik’s Cathedral and to Giacometti, who changed that academic tradition in sculpture by "writing the pages" of modern and contemporary sculpture. Referring to the previous experience of the above-mentioned authors, this work is created that mentally and visually combines these two "ethos of creativity" and inspiration, without thinking that the work is the result of the intersection of epochal inspirations and the sensibility of the time of the author to which it is referred. The concentration is on a portrait unit that combines both viewing experiences between the extreme past and today's understanding of sculpture as an expanded field.
Keywords
Keywords (english)
Languagecroatian
URN:NBNurn:nbn:hr:175:103999
Study programmeTitle: Sculpting
Study programme type: university
Study level: graduate
Academic / professional title: magistar/magistra kiparstva (magistar/magistra kiparstva)
Type of resourceText
File originBorn digital
Access conditionsAccess restricted to students and staff of home institution
Terms of useLicence In copyright icon
Created on2023-10-18 08:55:25